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Maggic smiles listening to David sing into a microphone in a recording studio.

in Coming Soon, Women Directors

The High Note Hits but Puts the Wrong Talent Up Front

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in Film25YL

Kids: Sex, Drugs and Controversy, 25 Years Later

by Laura Stewart June 3, 2020, 12:00 am
in A24 Films, Surrealism, The Criterion Collection

The Lighthouse: Meaning in a Meaningless World

by Maria Guillamont June 2, 2020, 12:00 am
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in Women Directors

You Know You Want It: Kathryn Bigelow’s Strange Days

by Jason Sheppard May 29, 2020, 12:00 am
in Take Two

The Little Mermaid: Childhood Nostalgia Through Adulthood Eyes

by Kacie Lillejord May 28, 2020, 12:00 am
in 25YL Podcasts, The Criterion Collection

The Criterion Collectors: Episode 6 – The Road Trilogy

by Conor ODonnell May 27, 2020, 6:45 am
in Film25YL

Twelve Monkeys: A Visual Mind Trip

by Katie Bienvenue May 27, 2020, 12:00 am
in Women Directors

Beneath the Top Hat: Male Fragility in Jane Campion’s “The Piano”

by Jill Watson May 22, 2020, 12:00 am
in Coming Soon, Now Streaming on Netflix

The Lovebirds Throws Down On Hi-Jinks and Charisma

by Don Shanahan May 21, 2020, 11:40 am
in Dysfunctional Families, Women Directors

Bound: The Wachowski’s Take on Power Dynamics, Queerness and Dysfunctional Families

by Maria Guillamont May 21, 2020, 12:00 am
3 Comments
in Film25YL

Showgirls: 25 Years of Lip Gloss and No Monkey Closure

by Jill Watson May 20, 2020, 12:00 am
in The Criterion Collection, World Cinema

The Atomic Tragedy of Hausu

by Jake Shelvey May 18, 2020, 12:00 am
in Film, Women Directors

Truth, Justice and the American Psycho

by Simon McDermott May 15, 2020, 12:00 am

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